Protected: An Introduction to Theatre, Performance and the Cognitive Sciences

The relationship between theatre, performance and the cognitive sciences constitutes a new area of research. As such it is often considered as problematic. In fact the debate is threaded with a secular even if artificial belief that hard science and the humanities cannot work together. Venturing in the world of neurosciences is therefore a daring step for any humanities researcher. It is especially true in John Lutterbie’s case as he offers to provide a better understanding of the spectator and more specifically of her/his emotional responses to performance by arguing that they can be analysed rationally but -and here lies the paradox -without displaying any hard data about his subject. However, he warns the reader about this inconsistency and justifies his choice by reasserting the theoretical nature of his essay.

National Drama

  • Registered charity 1173215
  • nd@nationaldrama.org.uk
  • The Crypt Centre
    St Mary Magdalene's Church
    Munster Square
    London NW1 3PT

Join us

Join the UK’s leading professional association for drama teachers and theatre educators. Membership includes free copies of Drama magazine plus regular E-newsletters.

Sign up to Newsletter

Scroll to Top